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Mondongo


Mondongo is an artist collective that has been working together since 1999, currently formed by Juliana Laffitte (Buenos Aires, 1974) and Manuel Mendanha (Buenos Aires, 1976). Their works call into question the conceptual relation between materiality and image. In their productions they hold discussions about themes like power, work, economy and sexuality, and generate different readings through freedom in the use of materials, taking the attention to detail on their works beyond conventions regarding size, complexity and potentiality.By using unconventional materials, such as colorful mirrors, cookies, bread, meat, threads and plasticine, manipulated with original techniques and selected according to their content, they create ironic, fantastic and critical settings, always favoring the narrative sense.

Their most recent projects include Conejos Blancos (Barro, Buenos Aires, 2021), Tres (Barro, Buenos Aires, 2017), Home - So different so appealing (LACMA, Los Angeles, 2017), How to read el Pato Pascual: Disney’s Latin American y Latin American Disney’s (Mak Center, California, 2017), Mondongo (MAXXI, Museo Nazionalle Delle Arti del XXI Secolo, Roma, 2016; Museo Provincial de Bellas Artes Franklin Rawson, San Juan; Museo Provincial de Bellas Artes Emilio Caraffa, Córdoba; Museo Nacional de Bellas Artes de Neuquén; 2014).In the past few years they have developed many performances such as Autómata (Track 16, Los Angeles, 2018); No soy tan joven como para saberlo todo (ARCOmadrid, Madrid, 2107; Bienal de Performance BP 15, Buenos Aires, 2015), among others. Mondongo's works form part of important collections worldwide such as Museum of Fine Arts (Houston, Texas); Museo de Arte Moderno de Buenos Aires, (Buenos Aires); Colección de Arte Amalia Lacroze de Fortabat (Buenos Aires); and numerous private collections (Zurich, Londres, Bruselas, Dubai). They live and work in Buenos Aires

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exhibitions

Welcome — BARRO NEW YORK
15.11.2023

The Argentine art collective, Mondongo, comprised of Juliana Laffitte and Manuel Mendanha, is renowned for its innovative use of unconventional materials in its production, such as meat, threads, plasticine, and wax. This approach not only challenges traditional notions of “painting” but also broadens the expressive possibilities of the medium. Until January 6, 2024

news

01.01.2026 MONDONGO Argentina on tour

publications

Manifestación
MALBA Buenos Aires, 2024

Dibujos, Mondongo y Bizzio
Barro Ediciones, Buenos Aires, 2017

Mondongo
MAXXI Museo Nazionale Delle Arti del XXI Secolo. E20Progetti Editore, Biella, Italia, 2016

“After hours” en el estudio de Mondongo
Conversaciones en la Cabaña nº 3, Pisueña Press, Cantabria, 2013

Mondongo
Daniel Maman Fine Art, Buenos Aires, 2004

Mondongo
Museo de Arte Moderno de Buenos Aires, Buenos Aires, 2013

Mondongo
Vig Ediciones, Buenos Aires, 2010

Mondongo
Museo Nacional de Bellas Artes de Neuquén, Neuquén, 2014




Fairs

ARTEBA 2026

28.11.2026 Buenos Aires. BARRO takes part in arteba’s 35th anniversary edition with a selection of artists from its roster, bringing together different generations and perspectives from the contemporary art scene. Matías Duville, Martín Legón, Mónica Giron, Mondongo, Nicanor Aráoz, Joaquín Boz, Nacha Canvas, Guillermo Kuitca, Luciana Lamothe, La Chola Pob

Exhibitions

QUERIDO TETO: SIN COMENTARIOS

17.10.2026 Querido Teto: sin comentarios, by MARCELO POMBO. Curated by Bárbara Golubicki. I found this photo the other day.It’s one of the very few I have of me when I was fourteen, when my aunt came to visit from Australia. She’d moved there a couple of years before and had come back to see her parents, who were seriously ill. On her trip to Argentina, she took a few photos and then sent them to me from Australia once she’d got back. She called me Teto. On the back of the photograph, she wrote: ‘Dear Teto: no comment’. Excerpt from the text, Trapos de cocina by Mauro Libertella

Exhibitions

PREFIERO FIERRO

08.08.2026 LUCIANA LAMOTHE Like her predecessors, Luciana is responding to the systemic violence of our present by harnessing the power of tools and materials which are forced to subvert their usual uses and functions to interrupt the systems they belong to. Now, in overwhelming scale, Lamothe’s works continue to expose – and sometimes threaten – the fragility and violence of our lives. What they offer is not the promise of redress or resolution but a radical new path forward. A gesture that refuses to perpetuate the illusion of seamless progress and instead presents an aesthetic of risk.

Exhibitions

SABAN & WOODGATE Segundas Vidas

30.05.2026 The exhibition Segundas vidas, curated by SONIA BECCE, unfolds in two parts. The first room, featuring recent work by Analía Saban, marks the artist’s first solo exhibition in Buenos Aires in more than ten years. The second room features a new series of ARC (Animal Rug Company) works, a project that Agustina Woodgate began in 2010.

News

MATÍAS DUVILLE
61º Biennale di Venezia

09.05.2026 Matías Duville presents Monitor Yin Yang, curated by Josefina Barcia, a site-specific installation that transforms the space into a traversable territory constructed with salt and charcoal. The project expands drawing into a spatial, sonic, and performative experience. Biennale di Venezia, Argentine Pavillion, until November 22, 2026.

News

NICANOR ARÁOZ in Venice

05.05.2026 Nicanor Aráoz participates in the group exhibition Oscuridad visible: La larga sombra de la dictadura, organized by Museo Moderno of Buenos Aires to commemorate the 50th anniversary of the last military coup. Aráoz presents Glótica 3 (Argentina Brava Mix). At Spazio Punch, Venice, Italy.

News

GABRIEL CHAILE at Whitechapel

01.04.2026 Gabriel Chaile presents his new solo exhibition, Archaeology of Memory, where he scavenges a variety of decorative and functional objects from the local area surrounding the Whitechapel Gallery, to be displayed alongside guardian adobe sculptures. Until September 6, 2026.

News

LA CHOLA at MASP

06.03.2026 La Chola Poblete: pop andino, is La Chola's first exhibition in Brazil. Curated by Adriano Pedrosa and Leandro Muniz, the exhibition brings together 31 works, including 14 watercolors from the iconic series Vírgenes cholas, exhibited at the Venice Biennale in 2024. At the São Paulo Museum of Art (MASP) until August 8, 2026.

Fairs

ARCO Madrid 2026

04.03.2026 Madrid, Spain. Solo Show by Agustina Woodgate in the section “Profiles. Latin American Art” curated by José Esparza Chong Cuy.

News

WOODGATE at Diriyah Biennale

03.02.2026 Woodgate is participating in the third edition of the Diriyah Contemporary Art Biennale, In Interludes and Transitions. Curated by Nora Razian and Sabih Ahmed. She is the only participant from Argentina and presents a new instance of The Source, a series of artworks taking the shape of site-specific water infrastructures. In Diriyah, UAE.

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