08.08.2026 Having inherited a fascination for industrial materials alongside a congenital inclination for transgression, Luciana prefers to work with iron: transforming, bending and twisting it as she desires. These processes expose the interior of iron pipes, their B-side, their entrails; accidents waiting to happen. This form of latent accident, in contrast to catastrophe as a fait-accompli, is a foundational part of the bio-social-technical world in which we live, one that is present in every material and tool with which she chooses to work. Curated by Sofía Dourron.
28.11.2026 Buenos Aires. BARRO takes part in arteba’s 35th anniversary edition with a selection of artists from its roster, bringing together different generations and perspectives from the contemporary art scene. Matías Duville, Martín Legón, Mónica Giron, Mondongo, Nicanor Aráoz, Joaquín Boz, Nacha Canvas, Guillermo Kuitca, Luciana Lamothe, La Chola Pob
17.10.2026 Querido Teto: sin comentarios, by MARCELO POMBO. Curated by Bárbara Golubicki. I found this photo the other day.It’s one of the very few I have of me when I was fourteen, when my aunt came to visit from Australia. She’d moved there a couple of years before and had come back to see her parents, who were seriously ill. On her trip to Argentina, she took a few photos and then sent them to me from Australia once she’d got back. She called me Teto. On the back of the photograph, she wrote: ‘Dear Teto: no comment’. Excerpt from the text, Trapos de cocina by Mauro Libertella
30.05.2026 The exhibition Segundas vidas, curated by SONIA BECCE, unfolds in two parts. The first room, featuring recent work by Analía Saban, marks the artist’s first solo exhibition in Buenos Aires in more than ten years. The second room features a new series of ARC (Animal Rug Company) works, a project that Agustina Woodgate began in 2010.
09.05.2026 Matías Duville presents Monitor Yin Yang, curated by Josefina Barcia, a site-specific installation that transforms the space into a traversable territory constructed with salt and charcoal. The project expands drawing into a spatial, sonic, and performative experience. Biennale di Venezia, Argentine Pavillion, until November 22, 2026.
05.05.2026 Nicanor Aráoz participates in the group exhibition Oscuridad visible: La larga sombra de la dictadura, organized by Museo Moderno of Buenos Aires to commemorate the 50th anniversary of the last military coup. Aráoz presents Glótica 3 (Argentina Brava Mix). At Spazio Punch, Venice, Italy.
01.04.2026 Gabriel Chaile presents his new solo exhibition, Archaeology of Memory, where he scavenges a variety of decorative and functional objects from the local area surrounding the Whitechapel Gallery, to be displayed alongside guardian adobe sculptures. Until September 6, 2026.
06.03.2026 La Chola Poblete: pop andino, is La Chola's first exhibition in Brazil. Curated by Adriano Pedrosa and Leandro Muniz, the exhibition brings together 31 works, including 14 watercolors from the iconic series Vírgenes cholas, exhibited at the Venice Biennale in 2024. At the São Paulo Museum of Art (MASP) until August 8, 2026.
04.03.2026 Madrid, Spain. Solo Show by Agustina Woodgate in the section “Profiles. Latin American Art” curated by José Esparza Chong Cuy.
03.02.2026 Woodgate is participating in the third edition of the Diriyah Contemporary Art Biennale, In Interludes and Transitions. Curated by Nora Razian and Sabih Ahmed. She is the only participant from Argentina and presents a new instance of The Source, a series of artworks taking the shape of site-specific water infrastructures. In Diriyah, UAE.
01.02.2026 A work by Gabriel Chaile will be exhibited for the first time at the Guggenheim Bilbao. The group show Artes de la tierra, curated by Manuel Ciruaqui, addresses the current state of the environment with a collection of works that refer to the soil as a substrate. Until May 3rd, 2026. Bilbao, Spain.
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